Sunday, 1 November 2026

The Charge of the Reserve Cavalry

 





The charge of the Reserve Cavalry at Waterloo is arguably the most iconic episode of the entire battle.  Up until now, I have focussed on the what might be described as the extremities at Hougoumont, Mont St Jean, Papelotte, La Haye, Smohain, Frischermont, Rossomme and Plancenoit, as well as the North-South axis from La Belle Alliance to La Haye Sainte.

Now it is time to complete the cavalry and the opposing squares.  This is not to suggest that I am starting from scratch: far from it - most of the squares are already done and so are nearly all of the cavalry.

But just to complete the figures is to ignore the somewhat daunting task of producing the scenery over an area that is as large as everything else we have completed, combined.

To achieve our chosen mission, a team of nine people has been working on the scenery over several weeks.  We met at an industrial facility in Somerset, a perfect location for the job at hand.

The aim of this blog entry is to show progress to date.

This map, taken from the Adkin book shows the locations of the squares, plus the attacking French cavalry

This is an aerial shot from the Siborne model but shows the action at the time of the attack of the Imperial Guard.  It is useful to identify the field system and its colours.

We began by building 59 sections, the edges of which were contoured to the shape of the terrain with tops nailed on, made of soft board.


At this stage, the shape of the ground is hard to discern but at eye level the subtle relief of the Waterloo geography reveals itself.

Once the sections were built it was time to cut out faux fur in accordance with the Siborne field system.


At this stage, the faux fur is obviously the wrong colour. 


Me directing operations


Once the fur was applied the track and road system could be built, in this instance the straight Roman road from Nivelles to Brussels, which is now the motorway.


Labels were then attached to denote the colour of each field.


The next step was to mark out the location of each square.


Once the sections were painted, it was time to them outside to dry in the sun.  At this stage, the colours are very basic.


The process of refining the colours now begins.  The dirty yellow area will in time become trampled corn.  The Nivelles road is just a black undercoat.






That bright green needs moderating









Once dry, the model went back inside for further colour refinement



Location of Allied artillery batteries in the front line


A first look at the location of the French cavalry regiments

More updates will follow as soon as possible.

8 comments:

  1. The scale of this enterprise, the magnificent team work, and the attention to detail is just jaw dropping. I cannot imagine how the completed model will be displayed and accessed but I'm sure that is included in your master plan. I'm looking forward to seeing the superb terrain populated.

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  2. Thanks Busker, I hope to provide further updates as soon as possible

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  3. Amazing and delightful! The painted sections are handsome even before any figures are no added. Great work, compliments to the team.

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  4. I love this background information. "Nine people have been working for several weeks". This casual statement highlights the scale and scope of this whole project.

    I have not been so impressed by a project since I first visited Peter Guilders Wargames Centre and saw the size of his huge table with masses of metal figures! And even that memory pales when compared with the cale of this project.

    You must be very proud and pleased to see it all becoming a reality after so much work for so long.

    As always looking forward to the next instalment

    regards
    Paul

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  5. How thick are the scenery modules? How do you stop them warping? I notice that there are some uneven gaps when they join, how do you repair that and ensure that all sections fit together without gaps?

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  6. The thickness depends on the height of the ground. The sections won’t warp because the four sides are kept in tension by the top. The gaps are simply because the model is constantly being moved but when put together carefully there are no gaps.

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  7. You're kind to say that Thistlebarrow, but my English could have been more precise: in fact, we gathered for four working days in August and blitzed it. Then we came back together with a slightly different group last week, so we have been pretty efficient given the time available.

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